A three-story reinforced concrete house with a LDK and an earthen floor on the first level, a bedroom and an "archive" storage space on the second level, and a sacred space that can also function as a tomb on the third level. Ryuji Fujimura has written a critique of this space in relation to Nakatani's theory of "kemono", which appears on the last page of the book.

Japan | Tokyo

Jutakutokushu November 2013 issue 36P